When we vacation, we tend to overpack the car, point it in the direction of compelling, sometimes overlooked places and make our way with a stack of printouts as our guide. That is how we found one place we keep going back to – a place that so immediately and completely and naturally became “our place” that it was like discovering that you‘d been adopted and now you’ve met your biological family and, from the get-go, in some weird pheromone-ish way, simply “know”” them; it is our Brigadoon, arising out of the heather mist, periodically, in our time but of its own; a spot that lies nestled at the foot of mountains named Guardian and Overlook – how can you not love the protective hug of that? It is Woodstock, New York.
There is, for us, only one Woodstock, but, we have found out that there are, indeed, other Woodstocks – a bunch of them: two in Canada, at least five in the U.S. alone, three clustered in the northeastern portion of the country. Having visited none of the others, we wondered what they were like, and how they compared to our/”the” Woodstock: Was there another Woodstock that we would prefer or be more enchanted by than the one we’d come to hold close to our hearts? Would the others be home to the same kinds of characters and outliers and land’s-enders as the New York Woodstock? Would any or all be a colony of the arts, as ours was? Might there be something common to all, and if so, what – besides the name? And by these wonderings, and with a bit of vacation window open in front of us, we hatched a plan and devised a route, a circuitous trail of mostly back roads, a few highways, mountains and valleys, inns and b&bs, sculpture parks and natural wonders, but all with a central purpose: to arrive at our Woodstock, eventually, by way of other Woodstocks, the ones we could reach in our allotted time. What would we find in our quest of Woodstocks?
Connecticut, like New Jersey, can be seen by outsiders as a pass-through DMZ, a bedroom-community corridor between New York City and New England, a freeway ramp to Boston. Really: What pops into your mind when you hear the word “Connecticut”? It has a reputation for insurance (Hartford) and the first native-American casinos (Mohegan Sun and Foxwoods). For us, in Bridgeport, is one of the best vegetarian restaurants in the country: Bloodroot. The fifth state in the union has no major-league professional ball teams. There is no love song written to it. It has a Woodstock, though – actually, six of them. And, coincidentally, we have a good friend in the town in New York who grew up near (if not in) this town, having attended the Woodstock Academy, in Woodstock, Conn.
But wait, six Woodstocks? The way we understand this is that six villages – South Woodstock, Woodstock Hill, North Woodstock, East Woodstock, West Woodstock and Woodstock Valley – make up the town of Woodstock. Just as an aside, the New York version is a town made up of twelve hamlets. But with New York, the other hamlets don’t have variations on the same moniker.
They call the northeasterly part of Connecticut the “Quiet Corner,” especially in contrast to the roaring and belching interstates and the denser urban pockets to its south, and it is here where Woodstock is. And Woodstock is, as the regionalized name indicates, quiet. Farms and vineyards, antiques and b&bs (we stayed in a sweet and quaint place, Taylor’s Corner B & B, along a country road, although, truth be told, every road there is a country road, really). There is not, to the underinformed visitor, much or any of a town, but rather just rolling green acres and homes and occasional shops.
Woodstock is a rural enclave and the people have fought hard to keep it from being over-developed. In this town you are more likely to find frogs and fireflies than lattes – and that is a good thing. It celebrates its history, with one of the original town homes now housing its historical society – and behind it is a nice arboretum/garden with a strolling path – and its agriculture, evident in the large millstone standing upright at the town center and its annual fair.
But it also has a notable landmark in Roseland Cottage, a pink-painted Victorian gem that once hosted the rich and famous, and is now a tourist attraction. It was influenced by the designs of Andrew Jackson Downing, has a lovely formal garden, and sticks up like a shard of gingerbreaded coral by the road.
(It would seem that if you want a town with more commerce and centrality, you need to make the brief slide over to Putnam or Pomfret. An eatery called the Vanilla Bean, in Pomfret, appears to be the popular populist gathering place for the area, and provides a bit of local color – you’re as likely to find biker gangs as suburban families there.)
With Woodstock flowing into Pomfret, and with not much of a town center to Woodstock at all, it is often difficult to know just where you are (of course, there a lot of people in the New York Woodstock who aren’t quite sure where they are, either), and this is compounded by the fact that it is a divided Woodstock, with its six sections, each flowing one into the other, with occasional signs but without definitive borders. We tried, as best we could, to visit all its parts – we may have, but couldn’t quite tell for sure. Like many New England towns, it is cute and historic, and this one is a good reminder of our early American roots. It is its own Woodstock, albeit, to our eyes, with nothing like the placeness of ours, but an original nonetheless.
Next installment: Another state, another Woodstock, and scaring moose.